Groping back to bed after a piss I part thick curtains, and am startled by The rapid clouds, the moon's cleanliness. Four o'clock: wedge-shadowed gardens lie Under a cavernous, a wind-picked sky. There's something laughable about this, The way the moon dashes through clouds that blow Loosely as cannon-smoke to stand apart (Stone-coloured light sharpening the roofs below) High and preposterous and separate - Lozenge of love! Medallion of art! O wolves of memory! Immensements! No, One shivers slightly, looking up there. The hardness and the brightness and the plain Far-reaching singleness of that wide stare Is a reminder of the strength and pain Of being young; that it can't come again, But is for others undiminished somewhere.
damaging a mother and child in the road, the
younglady in the greenhat sitting opposite
was thrown across me,
and not being one to miss an opportunity
I started to makelove
with all my body.
was tooearly in the morning and too soon
after breakfast and that anyway she found
me repulsive. But when I explained that
this being a nuclearage,the world was going
to end at lunchtime, she tookoff her
greenhat, put her bus ticket into her pocket
and joined in the exercise.
The buspeople, and therewere many of
them, were shockedandsurprised, and amused-
andannoyed, but when word got around
that the world was coming to an end at lunchtime,
they put their pride in their pockets
with their bustickets and madelove one with the other.
And even the busconductor, feeling left
out climbed into the cab and struck up
some sort of relationship with the driver.
Thatnight, on the bus coming home,
wewere all alittle embarrassed, especially me
and the younglady in the green hat, and we
all started to say in different ways howhasty
and foolish we had been. Butthen, always
having been a bitofalad, i stood up and
said it was a pity that the world didn’t nearly
end every lunchtime, and that we could always
pretend. And then it happened . . .
Quick asa flash we all changed partners,
and soon the bus was aquiver with white
mothball bodies doing naughty things.
And the next day
People pretended that the world was coming
to an end at lunchtime. It still hasn’t.
Although in a way it has.
The air is a mill of hooks—-
Questions without answer,
Glittering and drunk as flies
Whose kiss stings unbearably
In the fetid wombs of black air under pines in summer.
The dead smell of sun on wood cabins,
The stiffness of sails, the long salt winding sheets.
Once one has seen God, what is the remedy?
Once one has been seized up
Without a part left over,
Not a toe, not a finger, and used,
Used utterly, in the sun’s conflagration, the stains
That lengthen from ancient cathedrals
What is the remedy?
The pill of the Communion tablet,
The walking beside still water? Memory?
Or picking up the bright pieces
Of Christ in the faces of rodents,
The tame flower-nibblers, the ones
Whose hopes are so low they are comfortable—–
The humpback in his small, washed cottage
Under the spokes of the clematis.
Is there no great love, only tenderness?
Does the sea
Remember the walker upon it?
Meaning leaks from the molecules.
The chimneys of the city breathe, the window sweats,
The children leap in their cots.
The sun blooms, it is a geranium.
The heart has not stopped.
A good friends photo, he actually bothered to take his proper camera out with him, instead of the ipod…
The wet dawn inks are doing their blue dissolve.
On their blotter of fog the trees
Seem a botanical drawing.
Memories growing, ring on ring,
A series of weddings.
Knowing neither abortions nor bitchery,
Truer than women,
They seed so effortlessly!
Tasting the winds, that are footless,
Waist-deep in history.
Full of wings, otherworldliness.
In this, they are Ledas.
O mother of leaves and sweetness
Who are these pietas?
The shadows of ringdoves chanting, but chasing nothing.
Written by Tim Buckley and poet Larry Beckett From Starsailor, 1971 Verse 1: Bb F Long afloat on shipless oceans Eb Gm I did all my best to smile Bb F 'Til your singing eyes and fingers Eb Gm Drew me loving to your isle Bb Ab And you sang Eb Sail to me, sail to me Bb Let me enfold you Gm Here I am F Here I am Eb Gm Waiting to hold you Verse 2: Did I dream you dreamed about me? Were you hare when I was fox? Now my foolish boat is leaning Broken lovelorn on your rocks, For you sing, "Touch me not, touch me not, come back tomorrow: O my heart, O my heart shies from the sorrow" Verse 3: I am puzzled as the newborn child I'm as riddled at the tide Should I stand amid the breakers? Or should I lie with Death my bride? Hear me sing, "Swim to me, Swim to me, Let me enfold you: Here I am, Here I am, Waiting to hold you" *** With a capo at the third fret, you can play G D C Em G F C G Em D C Em
Oh would I could subdue the flesh
Which sadly troubles me!
And then perhaps could view the flesh
As though I never knew the flesh
And merry misery.
To see the golden hiking girl
With wind about her hair,
The tennis-playing, biking girl,
The wholly-to-my-liking girl,
To see and not to care.
At sundown on my tricycle
I tour the Borough’s edge,
And icy as an icicle
See bicycle by bicycle
Stacked waiting in the hedge.
Get down from me! I thunder there,
You spaniels! Shut your jaws!
Your teeth are stuffed with underwear,
Suspenders torn asunder there
And buttocks in your paws!
Oh whip the dogs away my Lord,
They make me ill with lust.
Bend bare knees down to pray, my Lord,
Teach sulky lips to say, my Lord,
That flaxen hair is dust.